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Clothing has been one of the main ways Sofonisba Anguissola has shaped her personal image in her self-portraits. In pieces such as Self Portrait at an Easel (1556-1565) and Self Portrait (1554), Anguissola is depicted in a simple black dress with a white frilled collar underneath.
Line art drawing of a bodice. A bodice (/ ˈ b ɒ d ɪ s /) is an article of clothing traditionally for women and girls, covering the torso from the neck to the waist.The term typically refers to a specific type of upper garment common in Europe during the 16th to the 18th century, or to the upper portion of a modern dress to distinguish it from the skirt and sleeves.
Front Claps for corsets. A busk (also spelled busque) is a rigid element of a corset at the centre front of the garment. [1] Two types exist, one- and two-part busks. [2]Single-piece busks were used in "stays" and bodices from the sixteenth to early nineteenth centuries and were intended to keep the front of the corset or bodice straight and upright.
A décolleté is the part of the throat that is exposed, but also the cut of a bodice that exposes the neck, the shoulders, and sometimes the chest. During Antiquity, several symbols clashed: the freedom of the non-erotic body (Egypt or Crete) clashed with modesty and reserve (Greco-Roman society).
The front-lacing bodice remained fashionable in Italy and the German States. Catherine de' Medici in a gown with a high-arched bodice fur-lined "trumpet" sleeves, over a pink forepart and matching paned undersleeves, c. 1555. An unknown woman wears a dark gown trimmed or lined in fur over fitted undersleeves. A chain is knotted at her neck.
The wardrobe accounts of Queen Elizabeth mention the purchase of thousands of special "great verthingale pynnes", "myddle verthingale pynnes", and "smale verthingale pynnes" from 1563. [48] These were probably used for pinning deep tucks in fathingales to hold whalebone supports, and to position heavy silk skirts in place over the farthingale.
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The fashion for sleeves also changed: though sleeves earlier in the fifteenth century are attached to the bodice, after 1450, they are usually detached [2] and laced or pinned to the bodice. [ 1 ] The gamurra could be worn on its own in the home or in an informal setting; in a formal setting, it would typically be worn underneath an overdress ...