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The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, [1] often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description ...
One must sleep."). Another example of the latter is L'art est inutile. Rentrez chez vous ("Art is Useless, Go Home"). A notable work made for Harald Szeemann's Documenta 5 exhibition in 1972 shouts, KUNST IST ÜBERFLÜSSIG (English: Art is Superfluous), and was installed across the top of the Fridericianum museum in Kassel, Germany. [4]
Art of Mateo Manaure in University City of Caracas; List of works by Franz Marc; List of sketches of notable people by Marguerite Martyn; Works of Herbert Maryon; List of works by Henri Matisse; List of works by Antonin Mercié; List of works by Jean Metzinger; List of works by Michelangelo; List of artworks by John Middleton
The term objet d'art is reserved to describe works of art that are not paintings, prints, drawings or large or medium-sized sculptures, or architecture (e.g. household goods, figurines, etc., some purely aesthetic, some also practical). The term oeuvre is used to describe the complete body of work completed by an artist throughout a career. [2]
The aphorism quotes the first two lines of the Aphorisms by the ancient Greek physician Hippocrates: "Ὁ βίος βραχύς, ἡ δὲ τέχνη μακρή". The familiar Latin translation ars longa, vita brevis reverses the order of the original lines, but can express the same principle.
Heteroglossia – the use of a variety of voices or styles within one literary work or context. Homeoteleuton – a figure of speech where adjacent or parallel words have similar endings inside a verse, a sentence. Authors often use it to evoke music or to give a rhythm to their phrase.
Example of a "Useless Staircase" or "Pure Staircase" Thomasson. Thomasson or Hyperart Thomasson (Japanese: Tomason トマソン or Chōgeijutsu Tomason 超芸術トマソン) is a type of conceptual art named by the Japanese artist Akasegawa Genpei in the 1980s.
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