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A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret , or mourning . Laments can also be expressed in a verbal manner in which participants lament about something that they regret or someone that they have lost, and they are usually accompanied by wailing ...
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...
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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Keening (Irish: caoineadh, pronounced [ˈkiːnʲə]) is a traditional form of vocal lament for the dead in the Gaelic Celtic tradition, known to have taken place in Ireland and Scotland. Keening, which can be seen as a form of sean-nós singing , is performed in the Irish and Scottish Gaelic languages (the Scottish equivalent of keening is ...
A dirge (Latin: dirige, nenia [1]) is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral.Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies. [2]
A genre of the troubadours, the planh or plaing (Old Occitan:; "lament") is a funeral lament for "a great personage, a protector, a friend or relative, or a lady." [1] Its main elements are expression of grief, praise of the deceased and prayer for his or her soul. [1] [2] It is descended from the medieval Latin planctus. [3]
In music, the lament bass is a ground bass, built from a descending perfect fourth from tonic to dominant, with each step harmonized. [1] The diatonic version is the upper tetrachord from the natural minor scale , [ 2 ] known as the Phrygian tetrachord , while the chromatic version, the chromatic fourth , has all semitones filled in.