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The band recorded a four-song demo tape in Mars's basement; [23] Westerberg handed it to Peter Jesperson in May 1980. [24] Jesperson was the manager of Oar Folkjokeopus, a punk rock record store in Minneapolis; [25] he also founded Twin/Tone Records with Paul Stark (a local recording engineer) and Charley Hallman.
Replacements bassist Tommy Stinson joined the project only about a week after it started, and no bassists are included among the list of session musicians, indicating that Stinson played most of the bass on the record. Stinson has mentioned 'the songs I didn't play on' which may refer to songs like the title track that do not feature bass, or ...
Let It Be is the third studio album by American rock band the Replacements.It was released on October 2, 1984, by Twin/Tone Records.A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, "a ...
With support from local label Twin/Tone amid a thriving Minneapolis music scene which also spawned Hüsker Dü and Soul Asylum, the Replacements charmed punk, hardcore, and outsider kids across ...
Near the 40th anniversary of their fifth studio album and major label debut, “Tim,” The Replacements are releasing “Tim: Let it Bleed Edition.” The massive box set features a loving ...
The Replacements' 'Tim: Let It Bleed Edition' Was Worth the Can't-Hardly-Waiting: Album Review. The Replacements, 'Tim,' and the Rise and Fall of Indie-Rock Morality. The Best Music Boxed Sets of 2019