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The Galle Trilingual Inscription is a stone tablet with an inscription in three languages, Chinese, Tamil and Persian, located in Galle, Sri Lanka. Dated 15 February 1409, it was installed by the Chinese admiral Zheng He in Galle during his grand voyages. [1]
Tao He Cheng Qi Tang Peach Pit Decoction to Order the Qi 桃核承气汤 桃核承氣湯 Táo Hé Chéng Qì Tāng Tao Hong Si Wu Tang: 桃红四物汤丸 桃紅四物湯丸 táo hóng sì wù tāng Tao Ren Wan / Runchang Wan Peach Kernel Teapills 桃仁丸 / 润肠丸 桃仁丸 / 潤腸丸 táo rén wán / rùncháng wán Tian Ma Gou Teng Yin
Daoxuan was born in 596, probably in the Sui capital of Daxing cheng 大興城, later renamed Chang'an (present-day Xi'an). He was born to the Qian 錢 family and his mother was of the Yao 姚 family, two prominent clans hailing from the region of the lower Yangtze river basin (Jiangnan 江南). Daoxuan's origins differ depending on the sources.
They are also known as jing, qi and shen (Chinese: 精氣神; pinyin: jīng-qì-shén; Wade–Giles: ching ch'i shen; "essence, breath, and spirit"). The French sinologist Despeux summarizes: Jing , qi , and shen are three of the main notions shared by Taoism and Chinese culture alike.
Thus steadily ascending, he followed his way and reached the frontier. The guardian of the Pass, Yin Xi, saw his [sagely] qi. He purified himself and waited upon the guest, who in turn transmitted Tao and virtue to him. He arranged it in two sections. [He said]: I'll tell you the essentials of the Tao: Tao is naturalness. Who practices can ...
Chen Tao (traditional Chinese: 陳陶; ; pinyin: Chén Táo; Wade–Giles: Ch'en T'ao, 824-882 [1]) was a poet of the late Tang dynastyHe wrote four poems about war in Longxi, one of which was included in the anthology Three Hundred Tang Poems. Some of his other poems were anthologized in Quantangshi (also known as, the Collected Tang Poems).
Image of Sima Chengchen. The Zuowanglun or Zuowang lun is a Taoist meditative text that was written by the Shangqing School patriarch Sima Chengzhen (647–735). Taoism incorporated many Buddhist practices during the Tang dynasty (618–907), and the Zuowanglun combined meditation techniques from Taoism (e.g., 坐忘 zuòwàng "sitting forgetting", and 觀 guān "observation"), Buddhism ...
It was, however, described by Fan Heng (1272–1330) as methods of writing poetry, divided into four styles: qi, cheng, zhuan, and he. Qi was described as straight, [1] cheng was likened to a mortar, zhuan was described change, and he is likened to a deep pond or overflowing river which helps one reflect on the meaning. [1]