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Francisco Goya: "The Name of God", YHWH in triangle, fresco detail. The Adoration of the Name of God (Spanish: Adoración del nombre de Dios) or The Glory (Spanish: La gloria) (1772) is a fresco painted by Francisco Goya on the ceiling of the cupola over the Small Choir of the Virgin in the Basílica de Nuestra Señora del Pilar in Zaragoza.
NO. 144 NUESTRA SEÑORA LA REINA DE LOS ANGELES - La Iglesia de Nuestra Senora la Reina de Los Angeles-the Church of Our Lady the Queen of the Angels-was dedicated on December 8, 1822 during California's Mexican era. Originally known as La Iglesia de Nuestra Senora de Los Angeles, the church was the only Catholic church for the pueblo.
En la noche dichosa En secreto, que nadie me veia, Ni yo miraba cosa, Sin otra luz, y guia, Sino la que en el corazón ardia. Aquesta me guiaba Más cierto que la luz del mediodia, A donde me esperaba, Quien yo bien me sabia, En parte, donde nadie parecia. ¡Oh noche que guiaste, Oh noche amable más que el alborada; Oh noche que juntaste Amado ...
Following the release of Porque Te Quiero, Gutiérrez and De la Fuente suggested the studio musicians to stay permanently in the group, a proposal which they accepted.The new band members used to be part of another Chilean group called Los Minimás, whose music was influenced by the psychedelic funk, which they incorporated in their next recordings with Los Ángeles Negros.
"Virgen de las virgenes" mocked girls who said they were virgins but had actually lost their virginity, and "¡Ya no!" went against the machismo movement of México. Following the release of the album, Gloria was working hard in promoting radio, television and print media.
"Goodness of God" is a song by Bethel Music and Jenn Johnson, which was released as the third single from Bethel Music's eleventh live album, Victory (2019), on November 1, 2019. [1] The song was written by Ed Cash, Ben Fielding, Jason Ingram, Brian Johnson and Jenn Johnson. [2] Ed Cash handled the production of the single. [3]
According to tradition, la negrita is a small (about 3 inches (7.6 cm)), probably indigenous or mixed race, representation of the Virgin Mary found on 2 August 1635 by a native woman named Juana Pereira. As the story goes, when she tried to take the statuette with her, it miraculously reappeared twice back where she had found it.
In 1959, Mexican conductor José Yves Limantour made a four-movement suite from La noche de los Mayas.In this version, Limantour "took every imaginable liberty", including the addition of a concluding, extended "improvisation" of exotic percussion instruments which is largely responsible for the music's success with audiences, who erroneously believe it to have been composed by Revueltas himself.