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A Superfluous Woman (1894) [2] Transition: A Novel (1895) [6] Life the Accuser (1896) The Confession of Stephen Whapshare (1898) The Engrafted Rose (1899) The Twins of Skirlaugh Hall (1903) The Poet's Child (1903) Susan Wooed and Susan Won (1905) Sir Elyot of the Woods (1907) The Story of Hauksgarth Farm (1909) The House of Robershaye (1912)
This Was a Woman is a 1948 British crime film directed by Tim Whelan and starring Sonia Dresdel, Walter Fitzgerald and Emrys Jones. [1] It was made at the Riverside Studios with sets designed by the art directors Ivan King and Andrew Mazzei . [ 2 ]
The full line goes: "And every mother's child is gonna spy, to see if reindeer really know how to fly". One can furthermore argue that the word "mother" is included for the purpose of lyrical flow, adding two syllables, which make the line sound complete, as "every child" would be too short to fit the lyrical/rhyme scheme.)
(Here the "gun" refers to a monologue that Chekhov deemed superfluous and unrelated to the rest of the play.) "Remove everything that has no relevance to the story. If you say in the first act that there is a rifle hanging on the wall, in the second or third act it absolutely must go off. If it's not going to be fired, it shouldn't be hanging ...
That Forsyte Woman (released in the United Kingdom as The Forsyte Saga) is a 1949 American romantic drama film directed by Compton Bennett and starring Greer Garson, Errol Flynn, Walter Pidgeon, Robert Young and Janet Leigh. It is an adaptation of the 1906 novel The Man of Property, the first book in The Forsyte Saga by John Galsworthy.
What women by nature cannot do, it is quite superfluous to forbid them from doing. [8] In this, men are contradicting themselves because they say women cannot do an activity and want to stop them from doing it. Here Mill suggests that men are admitting that women are capable of doing the activity, but that men do not want them to do so.
Herstory is a term for history written from a feminist perspective and emphasizing the role of women, or told from a woman's point of view. It originated as an alteration of the word " history ", as part of a feminist critique of conventional historiography , which in their opinion is traditionally written as "his story", i.e., from the male ...
I, a Woman (original Danish: Jeg - en kvinde) is a 1965 black-and-white Danish-Swedish erotic film whose break-through popularity helped initiate a wave of sexploitation films into mainstream American theaters in the late 1960s, [2] and inspired Andy Warhol to write and direct his feature-length experimental film version I, a Man.