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A Boss OD-1 OverDrive pedal. With the 1977 release of the OD-1 OverDrive, Boss sought to offer guitarists a way to achieve the sound of power amp distortion at lower volume levels on any amp, as the advent of hard rock popularized heavily distorted tones, while the first master volume amplifiers had only recently become available.
Boss has since released several pedals using COSM, including the FBM-1 '59 Fender Bassman pedal and FDR-1 '65 Fender Deluxe Reverb pedal, introduced at the Winter NAMM show in January 2007. All Boss compact pedals use a "buffered bypass" type of silent foot switching utilizing Field Effect Transistors (FETs) to avoid clicks and pops.
The DS-1 redefined distortion by bringing tight, aggressive high-gain tones to the pedal world for the first time. [2] Boss released a successor, the DS-2. [3] The DS-2, "Turbo Distortion" was released in 1987, and is very similar to the DS-1 except that it features a "turbo" setting, which produces a sharper midrange tone. [4] Boss released a ...
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound.
Ibanez Tube Screamer TS808. The Ibanez Tube Screamer is an overdrive pedal made by Ibanez.First developed by Maxon as a competitor to the Boss OD-1, it was sold outside of Japan under the Ibanez brand and became popular among guitarists for its characteristic mid-boosted tone and amp-like distortion.
The origins of the Pro Co "The RAT" can be traced back to the mid-1970s, when Pro Co engineers, Scott Burnham and Steve Kiraly repaired and hot-rodded existing distortion pedals, such as the Dallas Arbiter Fuzz Face. Burnham decided he could build a superior product from the ground up, and designed what would become "The RAT" pedal.
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Finnegan first sold the Klon Centaur in late 1994. [1] He was overwhelmed by demand and worked long hours in his home, building, testing and shipping the pedals himself. Every part was custom made, including the cast enclosure, knobs and pots. [1] In total, Finnegan built around 8,000 pedals over 15 years. [1]