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The song was performed by Sherwood in their album The Favourite Songs of Henry VIII. Laura Wright recorded a version, featured on her album The Last Rose (2011). George Eliot refers to this song in her novel The Mill on the Floss, Book 6, Chapter 13, as being sung by character Stephen Guest.
John Tenniel, St. Cecilia (1850) illustrating Dryden's ode, in the Parliament Poets' Hall "A Song for St. Cecilia's Day" (1687) is the first of two odes written by the English Poet Laureate John Dryden for the annual festival of Saint Cecilia's Day observed in London every 22 November from 1683 to 1703.
Ever after his discovery of Celia's nauseating dressing room he can never look at women the same way again. In every woman he sees through the powdered wigs and painted faces to the grime beneath. Swift ends the poem by suggesting that if young men only ignore the stench and accept the painted illusion, they can enjoy the "charms of womanhood".
Hail! Bright Cecilia (Z.328), also known as Ode to St. Cecilia, was composed by Henry Purcell to a text by the Irishman Nicholas Brady in 1692 in honour of the feast day of Saint Cecilia, patron saint of musicians.
A number of Carew's poems are concerned with the nature of poetry itself. His elegy on John Donne has been praised as both a masterpiece of criticism and a remarkably perceptive analysis of the metaphysical qualities of Donne's literary work. English poet and playwright Ben Jonson is the subject of another piece of critical verse, "To Ben.
The story of Amintor and Celia provides the narrative core for a number of restoration poems and songs, though the outcome of the story varies. A shorter version of the poem first appeared in Thomas Duffet's New Poems, Songs, Prologues and Epilogues, under the title Song to the Irish Tune. [2]
Hymn to St Cecilia, Op. 27 is a choral piece by Benjamin Britten (1913–1976), a setting of a poem by W. H. Auden written between 1940 and 1942. Auden's original title was "Three Songs for St. Cecilia's Day", and he later published the poem as "Anthem for St. Cecilia’s Day (for Benjamin Britten)".
Adrian Mitchell was born on 24 October 1932 [1] near Hampstead Heath, north London.His mother, Kathleen Fabian, was a Fröbel-trained nursery school teacher and his father, Jock Mitchell, a research chemist from Cupar in Fife.