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Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Bajidor Kahot (from Sundanese ᮘᮏᮤᮓᮧᮁ ᮊᮠᮧᮒ᮪) is a Sundanese dance from Indonesia which combines the dance movements of Ketuk Tilu and Jaipongan as the basis of its motions. [1] What distinguishes them from the two, Bajidor Kahot dance does not optimize shoulder movement as the Jaipongan and Tap Tilu do. In the dance, hips ...
Payung dance (Minangkabau: tari Payuang; Jawi: تاري ڤايوڠ) is a folk dance-drama tradition of the Minangkabau-Malay ethnic group [1] in Sumatra, Indonesia. This dance is a Minangkabau version of other Malay dances from Sumatra. Folk theatre such as toneel and sandiwara often incorporates payung dance as part of the show. [2]
The Lilin dance (from Minangkabau lilin 'candle') is a traditional Indonesian (Minangkabau) dance performed by a group of dancers to the accompaniment of a group of musicians.
Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
Singo Ulung performance in village. Singo Ulung is a masked dance art using barongan, which is the traditional art of Bondowoso regency that is usually performed at the annual anniversary of Bondowoso.
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of the Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]
' zapin of fire '; Jawi: زاڤين اڤي ) is a firedance technique of the classical Malay zapin founded in Rupat, Riau, Indonesia. Legend says that Rupat was cursed under a series of catastrophes in the 1500s and a harmonious balance between all of the elements was needed to restore peace in the area.