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The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
"Count on Me" is a 1978 song and single by Jefferson Starship written by Jesse Barish for the album Earth. [1] The single, in lighter rock mode, gave Starship another US Top 10 hit after "Miracles". [2] [3] It was featured in the end credits to the movies Grown Ups and The Family Stone. [4]
Jefferson Airplane was an American rock band formed in San Francisco, California, in 1965.One of the pioneering bands of psychedelic rock, the group defined the San Francisco Sound and was the first from the Bay Area to achieve international commercial success.
The Best of Jefferson Airplane (1992) Feed Your Head: Live '67–'69 (1996) Journey: The Best of Jefferson Airplane (1996) Jefferson Airplane and Beyond (1997) Through the Looking Glass (1999) The Roar of Jefferson Airplane (2001) Platinum & Gold Collection (2003) Cleared for Take Off (2003) The Best of Jefferson Airplane: Somebody to Love (2004)
Jefferson Airplane was formed in mid-1965 by vocalist and guitarist Marty Balin.He selected rhythm guitarist and vocalist Paul Kantner, to join the band, the two men then recruited the remaining initial members: vocalist Signe Toly Anderson, lead guitarist and vocalist Jorma Kaukonen, double bassist Bob Harvey and drummer Jerry Peloquin. [4]
Blows Against the Empire is a concept album by Paul Kantner, released in 1970 under the name Paul Kantner and Jefferson Starship.It is the first album to use the "Starship" moniker, a name which Kantner and Grace Slick would later use for the band Jefferson Starship that emerged after Jack Casady and Jorma Kaukonen left Jefferson Airplane.
"We Can Be Together" is a song written by Paul Kantner that was released by [[Jefferson Airplane as the first track or their 1969 album Volunteers and also as the B-side of their "Volunteers" single. [1] Allmusic critic Matthew Greenwald described the lyrics as "a virtual "state of the union" address for the counterculture of the late '60s."
[4] Mojo described "The Ballad of You and Me and Pooneil" as a "robust harmony-drenched anthem" that was central to After Bathing at Baxter's. [5] Ultimate Classic Rock critic Michael Gallucci rated it Jefferson Airplane's 9th best song, calling it "a glorious mess of guitars, drums and vocal sparring between [Marty] Balin and [Grace] Slick."