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"The Stars and Stripes Forever" is considered Sousa's most famous composition. [3] A British journalist named Sousa "The March King", in comparison to "The Waltz King" — Johann Strauss II. [4] However, not all of Sousa's marches had the same level of public appeal. [2] Some of his early marches are lesser known and rarely performed. [2]
Although many recordings of this march have been made over the years, the original recording of the march played by the United States Marine Band, conducted by Sousa's concertmaster, [6] was made on Graphophone cylinder for the fledgling Columbia Records company in Washington, D.C., in 1890, catalogue Columbia Cylinder Military #8.
We March, We March to Victory (1914) (hymn) Boots (1916) I Love Jim (1916) Come Laugh and Be Merry (1916) The Song of the Dagger (1916) Blue Ridge, I'm Coming Back to You (1917) The Love That Lives Forever (1917) When the Boys Come Sailing Home! (1918) We Are Coming (1918) The Toast (1918) Pushing On (1918) Lovely Mary Donnelly (1918)
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In his 1928 autobiography, Marching Along, Sousa wrote that he composed the march on Christmas Day, 1896. Sousa was on board an ocean liner on his way home from a vacation with his wife in Europe and had just learned of the recent death of David Blakely, the manager of the Sousa Band. He composed the march in his head and committed the notes to ...
Sousa retired from touring in 1931 and died a year later, on March 6, 1932. By that time, popular musical tastes had passed him by. Americans were into swing music now.
"The Gallant Seventh", was Sousa's most popular march in the 1920s and is distinguished as his only march with two breakstrains. This version is performed by the United States Marine Corps Band. This file adds significantly to the following articles: "The Gallant Seventh" John Philip Sousa; List of compositions by John Philip Sousa; Nominate ...
King Cotton is a military march composed in 1895 [1] by John Philip Sousa, for the Cotton States and International Exposition (1895). The expression "King Cotton" in general refers to the historically high importance of cotton as a cash crop in the southern United States. The form is as follows; the number of bars is indicated in the parentheses.