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Christ Washing the Disciples' Feet was a favourite theme of Tintoretto, and there are at least six known works by him on the subject. The scene comes from a passage in John 13 where before the Last Supper Christ washes the feet of his disciples. This passage called for a complex image with many characters in a variety of poses and motions, and ...
English: Christ Washing the Feet of the Disciples, by Herny Ossawa Tanner, 1905. This painting is lost and is now known through photographs. This painting is lost and is now known through photographs.
In the West he often has red hair. Sometimes Judas takes the sop in his mouth directly from Jesus' hand, and when he is shown eating it a small devil may be shown next to or on it. [14] The betrayal scene may also be combined with the other episodes of the meal, sometimes with a second figure of Christ washing Peter's feet. [15]
Date/Time Thumbnail Dimensions User Comment; current: 00:16, 5 August 2018: 1,400 × 1,083 (1.6 MB): Slowking4 {{artwork |Title = Study, Christ Washing the Feet of the Disciples Artist = {{creator:Henry Ossawa Tanner}} |Date= n.d. |department = Luce Foundation Center 3rd Floor 12A |Dimensions = 6 x 7 7/8 in. (15.2 x 20.0 cm.) |Credit line = Gift of Mr. and Mrs. Norman Robbins |Medium= oil on ...
John 13:5 says that Jesus began to wash their feet: the washing was interrupted by Peter's initial refusal to allow Jesus to wash his feet, but John 13:12 suggests that the task was later completed and the feet of all the Disciples were washed, including those of Judas, [13] as Jesus then took back His garments and reclined [at table] again.
The technique allowed hime to create a pentimento in the shadow under the lamp in the center, between Mary and Jesus. [2] This is speculated to be Judas, who in John 12, criticized Mary for spending money on Jesus when she washed his feet, using perfume and wiping his feet with her own hair. [2] Different photo-edits of the painting
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The Washing of the Feet or El Lavatorio is a work by the Venetian artist Tintoretto which he produced between 1548 and 1549. It is considered one of his finest works. It is currently on display in the Museo del Prado.