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Neumann U 87 with shock mount. Introduced in 1967 as the solid-state successor to the U 67, [4] [5] [1] Neumann introduced the U 87 alongside the KM 86, KM 84, and KM 83 as part of the company's first 'FET 80' series of microphones that utilized use solid-state FET electronics that didn't require separate power supplies or multi-pin power cables and allowed the mics to be made smaller. [6]
Eventually this "fet 100" or "transformerless" series was expanded to include the KM 100 modular series of small microphones (with seven different "active capsules" for various directional patterns), the cardioid TLM 193 (using the capsule of the U 89 and TLM 170), the small-diaphragm KM 180 series, the large-diaphragm cardioid TLM 103, the ...
The Neumann U 47 is a large-diaphragm condenser microphone. It is one of the most famous studio microphones and was Neumann's first microphone after the Second World War. The original series, manufactured by Georg Neumann GmbH between 1949 and 1965, employed a tube design; early U 47s used the M 7 capsule, then replaced by the K 47 from 1958.
Designed by Electro-Voice using the company's patented Variable-D technology and a large-diaphragm element, it has been described as an industry standard "iconic" microphone for its natural sound and its wide usage in radio, television and recording studios. [1] In 2015, the RE20 was inducted into the TEC Awards Technology Hall of Fame. [2]
This microphone used large Neodymium magnets to achieve unprecedented raw transduction sensitivity. Also, a unique phantom-powered preamplifier with proprietary voicing gave the microphone a sound presentation similar to large-diaphragm condenser microphones but having the well-known dynamic qualities unique to ribbon microphones.
Microphones can be thought of as speakers in reverse. The sound waves strike the thin diaphragm, causing it to vibrate. [1] Microphone diaphragms, unlike speaker diaphragms, tend to be thin and flexible, since they need to absorb as much sound as possible. In a condenser microphone, the diaphragm is placed in front of a plate and is charged. [2]
In 1990s, Audio-Technica introduced several large-diaphragm condenser microphones for studio use: the AT4033 cardioid microphone in 1991, [1] the AT4050 multi-pattern in 1995, [6] and the AT4060 vacuum tube cardioid microphone in 1998; [7] the AT895, a DSP-controlled five-element microphone array providing adaptive directional audio acquisition ...
RØDE's dynamic broadcast microphones have become widely used in podcasting, voice-over and radio production. [47] The company released its first dynamic live performance microphone, the M1, in 2008—promoted through the '$1 Mic campaign and supported by a lifetime warranty. [48] RØDE also released the MI-S, which features a locking switch.