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Remembering the Kana: A Guide to Reading and Writing the Japanese Syllabaries in 3 hours each [7] is a book by James Heisig for remembering hiragana and katakana. It uses mostly the same imaginative memory technique as Remembering the Kanji I, though some katakana are prompted to be learned as simplified forms of their hiragana counterparts.
In Ainu texts, handakuten can be used with the katakana セ to make it a /t͡s/ sound, セ゚ ce [t͡se] (which is interchangeable with ツェ), and is used with small fu to represent a final p, ㇷ゚. In addition, handakuten can be combined with either katakana ツ or ト (tsu and to) to make a [tu̜] sound, ツ゚ or ト゚.
The list is sorted by Japanese reading (on'yomi in katakana, then kun'yomi in hiragana), in accordance with the ordering in the official Jōyō table. This list does not include characters that were present in older versions of the list but have since been removed (勺, 銑, 脹, 錘, 匁). Hyphens in the kun'yomi readings separate kanji from ...
The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana.Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis.
Shi (kana) し, in hiragana, or シ in katakana, is one of the Japanese kana, which each represent one mora. Both represent the phonemes /si/, reflected in the Nihon-shiki and Kunrei-shiki romanization si, although for phonological reasons, the actual pronunciation is [ɕi] ⓘ, which is reflected in the Hepburn romanization shi.
Ku (kana) く, in hiragana or ク in katakana, is one of the Japanese kana, which each represent one mora. Both represent [kɯ] and their shapes come from the kanji 久. This kana may have a dakuten added, transforming it into ぐ in hiragana, グ in katakana and gu in Hepburn romanization. The dakuten's addition also changes the sound of the ...