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Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire 's Les Fleurs du ...
The Symbolist Manifesto (French: Le Symbolisme) was published on 18 September 1886 in the French newspaper Le Figaro by the Greek-born poet and essayist Jean Moréas.It describes a new literary movement, an evolution from and rebellion against both romanticism and naturalism, and it asserts the name of Symbolism as not only the appropriate for that movement, but also uniquely reflective of how ...
Imagism. The expatriate American poet Ezra Pound in 1913; Pound collected poems from eleven poets in his first anthology of Imagist poetry, Des Imagistes, published in 1914. Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist ...
The McGill Group came together with the aim of modernizing Canadian poetry, by encouraging the inclusion of imagism and symbolism, which were already being used by poets from outside Canada, including William Butler Yeats, T. S. Eliot, H.D., Wallace Stevens, E. E. cummings and Marianne Moore. They promoted the responsibility of the poet to ...
Modernist poetry refers to poetry written between 1890 and 1950 in the tradition of modernist literature, but the dates of the term depend upon a number of factors, including the nation of origin, the particular school in question, and the biases of the critic setting the dates. [1][2] The critic/poet C. H. Sisson observed in his essay Poetry ...
Russian symbolism was an intellectual, literary and artistic movement predominant at the end of the 19th and beginning of the 20th century. It arose separately from West European symbolism , and emphasized defamiliarization and the mysticism of Sophiology .
The core of Plato's philosophy is the Theory of Forms (or Ideas), and many writers have seen in this metaphysical theory a justification for the use of literary allegory. Fletcher, for example, wrote: The Platonic theory of ideas has two aspects which lead to allegorical interpretations of both signs and things ...
Poetic devices. Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.