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The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒ ˈ θ ɛ l oʊ /), is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus , the play depicts the Moorish military commander Othello as he is manipulated by his ensign , Iago , into suspecting his wife Desdemona of infidelity.
Shakespeare imitates Spenser with a sequence of 152 sonnets, two anacreontic sonnets and a long complaint. [6] The central conceit of Sonnet 153 derives from a work by Marianus Scholasticus, a poet writing in Greek in the 5th-6th centuries AD. The original epigram reads in translation "Beneath these plane trees, detained by gentle slumber, Love ...
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare.Part of the Fair Youth sequence (which comprises sonnets 1-126), the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author.
Shakespeare’s tragedy was penned around 1603, under its full name: The Tragedy of Othello, the Moor of Venice. The play follows Moorish commanding warrior general Othello as he is manipulated by ...
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio. There, he is simply referred to as the Moor.
Othello study guide, themes, quotes, multimedia, and teacher resources; Othello Act and scene wise summary & quotes, analysis, characters, topic discussions. Othello Archived 15 July 2020 at the Wayback Machine at the British Library; Othello—Annotated text aligned to Common Core standards.
In Themes and Variations in Shakespeare's Sonnets (1961), James Blair Leishman criticised preceding approaches to Shakespeare's sonnets, feeling they either excessively focussed on the identity of "W.H.", the Fair Youth, the Rival Poet, or the Dark Lady; or they analysed the sonnets' style in isolation.