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The notations system used on the kolintang musical instrument is the diatonic scale. The diatonic scale is a scale consisting of 7 notes, the notes are Do, Re, Mi, Fa, Sol, La, Si, which have a distance of one and a half notes. This scale is divided into two groups, namely the major diatonic and minor diatonic scales.
The tifa, tiwa or tiva is a single-headed goblet drum used throughout the Maluku Islands of Eastern Indonesia, where it is traditionally the "dominant instrument" in Maluku province music. [1]
Gordang sambilan is a kendang (Indonesian version of drum) musical instrument originating from North Sumatra, Indonesia. [1] Gordang sambilan consists of nine relatively large and long drums (drum chime) made of ingul wood and played by four people.
[2] [3] [7] Minang music is played to accompany various dances such as the Pasambahan dance , the Payung dance , and the Piring dance typical of the Minangkabau [ 1 ] Dendang is a style of vocal music that developed in Minangkabau society as a singing tradition and accompanied by the saluang and other musical instruments. [ 3 ]
A gong bass drum (also known as "gong drum"), is a large, single-headed tom often sized at 20 in (51 cm) or 22 in (56 cm), with the drumhead being 2 in (5.1 cm) larger than the shell. The sound produced is similar to a bass drum , though it is more open and has longer sustain.
A tifa totobuang is a music ensemble from the Maluku Islands, related to the kulintang orchestra. It consists of a set of a double row of gong chimes known as the totobuang (similar to set of bonang gong chimes) and a set of tifa drums.
Country: Indonesia: Reference: 00393: Region: Asia and the Pacific: Inscription history; Inscription: 2010 (5th session) List: Representative: Traditional Angklung (Pentatonic – Slendro Scale: Angklung Kanekes, Angklung Dogdog Lojor, Angklung Gabrag, Angklung Badeng, Angklung Bungko, Angklung Badud, Angklung Buncis, and angklung Calung) and Modern Angklung (Diatonic/Chromatic – Slendro ...
It is usually about 20 cm (8 in) high, and is played on the floor by a seated performer. In a pelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death [ 1 ] ) (in kepatihan numbering); for slendro , the bars are 6-1-2-3-5-6-1; this can vary from gamelan to gamelan, or even among ...