Search results
Results From The WOW.Com Content Network
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
The Wasteland is a Celtic motif that ties the barrenness of a land with a curse that must be lifted by a hero. It occurs in Irish mythology and French Grail romances, and hints of it may be found in the Welsh Mabinogion .
The book derives its title from the T. S. Eliot 1922 poem The Waste Land, several lines of which are reprinted in the opening pages. In addition, the two main sections of the book ("Jake: Fear in a Handful of Dust" and "Lud: A Heap of Broken Images") are named after lines in the poem.
Pound, who was living in London in 1919, was helping Eliot revise the poem (encouraging him to delete roughly one third of the text). When Eliot proposed publishing Gerontion as the opening part of The Waste Land, Pound discouraged him: "I do not advise printing Gerontion as preface. One don't miss it at all as the thing now stands.
The book's main focus is on the Holy Grail tradition and its influence, particularly the Wasteland motif. The origins of Weston's book are in James George Frazer's seminal work on folklore, magic and religion, The Golden Bough (1890), and in the works of Jane Ellen Harrison. The work is mentioned by T. S. Eliot in the notes to his poem The ...
What links here; Related changes; Upload file; Special pages; Permanent link; Page information; Cite this page; Get shortened URL; Download QR code
Alan Stewart Paton (11 January 1903 – 12 April 1988) was a South African writer and anti-apartheid activist. His works include the novels Cry, the Beloved Country (1948), Too Late the Phalarope (1953), and the short story The Waste Land.
It was cited by T. S. Eliot in his notes to The Waste Land (1922), and mentioned as one of two chief inspirations for the poem along with James Frazer's The Golden Bough. Eliot later said, in his lecture " The Frontiers of Criticism " (1956), that his original intention was merely to add the references he had employed, to counter earlier ...