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Envelope generators, which allow users to control the different stages of a sound, are common features of synthesizers, samplers, and other electronic musical instruments. The most common envelope generator is controlled with four parameters: attack , decay , sustain and release ( ADSR ).
This variant of the chip adds a number of major enhancements, such as separate envelopes for the three channels (as opposed to one shared envelope), variable duty-cycles, more bits of precision for note frequency, volume, and envelope frequency, and a much more configurable noise generator. It was used on the Covox Sound Master sound card for ...
Sound editing functions: cut, copy, paste, delete, insert, silence, auto-trim and more; Audio effects: amplify, normalize, equalize, envelope, reverb, echo, reverse and many more with VST plugin compatibility; Batch processing allows users to apply effects and/or convert thousands of files as a single function
The NSynth dataset is composed of 305,979 one-shot instrumental notes featuring a unique pitch, timbre, and envelope, sampled from 1,006 instruments from commercial sample libraries. [8] For each instrument the dataset contains four-second 16 kHz audio snippets by ranging over every pitch of a standard MIDI piano, as well as five different ...
Oramics (1957) controls sounds by graphics on films. Variophone (1930) by Evgeny Sholpo—on earliest version, hand drawn waves on film or disc were used to synthesize sound, and later versions were promised to experiment on musical intonations and temporal characteristics of live music performance, however not finished.
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A programmable sound generator (PSG) is a sound chip that generates (or synthesizes) audio wave signals built from one or more basic waveforms, and often some kind of noise. PSGs use a relatively simple method of creating sound compared to other methods such as frequency modulation synthesis or pulse-code modulation .
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