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The Gleaners and I (French: Les glaneurs et la glaneuse, lit. "The gleaners and the female gleaner") is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning . It screened out of competition at the 2000 Cannes Film Festival ("Official Selection 2000"), and later went on to win awards around the world.
The Gleaners (Des glaneuses) is an oil painting by Jean-François Millet completed in 1857. It is held in the Musée d'Orsay, in Paris. It depicts three peasant women gleaning a field of stray stalks of wheat after the harvest. The painting is famous for featuring in a sympathetic way what were then the lowest ranks of rural society; it was ...
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Agnès Varda (French: [aɲɛs vaʁda] ⓘ; born Arlette Varda; 30 May 1928 – 29 March 2019) was a Belgian-born French film director, screenwriter and photographer. [1]Varda's work employed location shooting in an era when the limitations of sound technology made it easier and more common to film indoors, with constructed sets and painted backdrops of landscapes, rather than outdoors, on ...
In Agnès Varda's documentary The Gleaners and I, Pons explains his artistic process and understanding of art; what others see as "a cluster of junk," he sees as "a cluster of possibilities;" [2] and that the function of art is to tidy up one's inner and exterior worlds. [1] Pons was born on 30 April 1927. [3]
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More than 60 years after becoming one of the most famous musicians in the world, Ringo Starr still admits to some lingering vulnerability when it comes to his musical talents. The Beatles drummer ...
In 18th century England, gleaning was a legal right for "cottagers", or landless residents. In a small village the sexton would often ring a church bell at eight o'clock in the morning and again at seven in the evening to tell the gleaners when to begin and end work. [23] This legal right effectively ended after the Steel v Houghton decision in ...