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According to the obituary published by Lorenz Christoph Mizler, Stölzel would have written around fourteen Passions and Christmas oratorios. [222] Stölzel's librettos for his Passions and oratorios approach the cantata format: they are reflective in nature, and lack the dramatic-narrative component of, for instance, a sung Gospel reading. [223]
In 1976 an updated version of that thesis was published in one volume as Das Kantatenschaffen von Gottfried Heinrich Stölzel. [74] [75] An Urtext edition of the G minor Oboe Concerto was published in 1979. [76] The cantata Ich bin beide was published in 1981. [77] Stölzel's O wie ist die Barmherzigkeit des Herrn so groß was published in 1989 ...
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He performed Stölzel's Ein Lämmlein geht und trägt die Schuld on Good Friday 23 April 1734, and likely Stölzel's entire String-Music cantata cycle from 1735 to 1736. [ 6 ] [ 7 ] [ 29 ] [ 30 ] Around the same time, that is, likely somewhere between 1734 and 1740, Anna Magdalena Bach entered a version for voice and continuo of " Bist du bei ...
Bekennen will ich seinen Namen (I shall acknowledge His name), BWV 200, is an arrangement by Johann Sebastian Bach of an aria from Gottfried Heinrich Stölzel's passion-oratorio Die leidende und am Creuz sterbende Liebe Jesu. He scored it for alto, two violins and continuo, possibly as part of a cantata for the feast of Purification. He ...
Ach Gott, wie manches Herzeleid, BWV 3 (chorale cantata, 14 January 1725) Meine Seufzer, meine Tränen, BWV 13 (20 January 1726) Wilhelm Friedemann Bach Wir sind Gottes Werke, BR F 6 (incomplete, BDW 09782) Carl Friedrich Christian Fasch and Carl Philipp Emanuel Bach: Harre auf Gott (C. P. E. Bach 's expansion of a 3-movement cantata by Fasch ...
First page of Gottfried Heinrich Stölzel's Ein Lämmlein geht und trägt die Schuld, from a score preserved in Berlin. [1]Ein Lämmlein geht und trägt die Schuld, also known by the title of its earliest extant printed libretto, Die leidende und am Creutz sterbende Liebe Jesu, is a Passion oratorio by Gottfried Heinrich Stölzel, composed in 1720.
The central chorale movement of Gottfried Heinrich Stölzel's 1744 cantata for Rogate Sunday, Aus der Tiefen rufe ich, H. 419, has the first stanza of the hymn as text, set to the tune indicated by the Gotha hymnal. [2] BWV 744 is a chorale prelude by Johann Sebastian Bach, or by his son Carl Philipp Emanuel, on the Zahn 1217 hymn tune.