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Introducing Be-Bop Deluxe (2004) and Nelson's 40-year career retrospective, eight CD set, The Practice Of Everyday Life (2011). Despite Be-Bop Deluxe's commercial success, Bill Nelson stated that he had never received royalties for the earlier CD release of his back catalog on EMI [15] until the 2011 CD reissue/remaster of his back catalogue. [16]
Modern Music is the fourth studio album by English rock band Be-Bop Deluxe.It was produced by band leader Bill Nelson and producer/engineer John Leckie.As AllMusic reviewer William Ruhlmann states in his review, "the album charted high in England and made the Top 100 in the U.S., but it was Be Bop's peak, not its breakthrough.
Sunburst Finish is the third studio album by English rock band Be-Bop Deluxe, released in February 1976. [2] It was recorded in Abbey Road Studios, London. [3]The album contains what would become one of their few forays into chart success; the February 1976 single "Ships in the Night", which reached number 23 in the UK Singles Chart.
Although his opening seems to dismiss British music as hanging on to fame gained during the 1960s, Rockwell goes on to say: "Be-Bop Deluxe is redeemed by the brilliance of [the band's] playing, and particularly Nelson's guitar playing. His records put Nelson right up there with the other great masters of the electric guitar." [8]
Nelson was born in Wakefield in the West Riding of Yorkshire, to Jean and Walter Nelson.His father was an alto saxophone player, and his mother a dancer. [5] Nelson's younger brother, Ian (1956–2006), collaborated on the Be-Bop Deluxe song "Ships in the Night" and formed the band Fiat Lux; he also played on the 1979 Red Noise album Sound-on-Sound and with the 2004 touring band Bill Nelson ...
Axe Victim was recorded in AIR London, Audio International Studios and CBS Studios, all located in London, England. [7]This incarnation of the band, featuring Bill Nelson on vocals and lead guitar, Ian Parkin on rhythm guitar, Robert Bryan on bass, and Nicholas Chatterton-Dew on drums, would only last for this album, before Nelson disbanded Be-Bop Deluxe following the Axe Victim tour and ...
Red Noise released an album with more electronic-based music than Drastic Plastic, Sound-on-Sound, in 1979. That band and album were considered as post-Be-Bop Deluxe. Shortly afterwards, Nelson decided to continue his career as soloist, releasing more synthpop albums. Nelson only maintained Andy Clark for his Red Noise project.
The music is characterised by its mechanical synthesizers, harsh guitars and frenzied rhythms. [10] By emphasising synthesised instrumentation, and eschewing guitar solos, the record marks a firm departure from Be-Bop Deluxe, [3] with Red Noise moving Nelson into a new wave direction, [12] [13] although a guitar solo does appear on "The Atom ...