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The coronation of Queen Elizabeth II for which the march was composed. Orb and Sceptre is a march for orchestra written by William Walton for the coronation of Queen Elizabeth II in Westminster Abbey, London, on 2 June 1953.
A note to this effect is contained in an inventory of precious relics drawn up by a monk at the abbey in 1450, recording a tunicle, dalmatic, pallium, and other vestments; a gold sceptre, two rods, a gold crown, comb, and spoon; a crown and two rods for the queen's coronation; and a chalice of onyx stone and a paten made of gold for the Holy ...
Despite its historic status, the sceptre we see today isn't quite in its original condition. In 1820 the piece was altered for the coronation of George IV, adding an enameled rose, thistle, and ...
The Sceptre is also a part of coronation regalia, with the same 1661 origins. Unlike the religious symbolism of the orb, the three-foot-long staff represents the monarch’s power in the secular ...
1821: None (Queen Caroline was forbidden to attend the coronation) 1831: Henry Somerset, 6th Duke of Beaufort; 1838: None; 1902: Henry Innes-Ker, 8th Duke of Roxburghe; 1911: Victor Cavendish, 9th Duke of Devonshire; 1937: William Cavendish-Bentinck, 6th Duke of Portland; 1953: Not used for male consorts; 2023: Charles Wellesley, 9th Duke of ...
The crown jewels known as the sceptre and orb have an ancient history—and a powerful meaning for the monarchy. The Ancient History of The Sceptres and Orb at King Charles's Coronation Skip to ...
The march was played, as was a new work by Walton – Orb and Sceptre – at the coronation of Queen Elizabeth II in 1953. [17] Crown Imperial was performed as a recessional piece at the wedding of Prince William and Catherine Middleton on 29 April 2011, [ 18 ] and was among the music played in Westminster Abbey before the service for the ...
The scepter is meant to represent the crown’s power and governance, and has been used in every coronation since 1661, when it was created for the coronation of King Charles II.