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Peck's next Western was Only the Valiant (1951), a low-budget movie; Peck disliked the script and would later label the film as the low point of his career. [136] Peck's non-exclusive contract with David O. Selznick permitted Selznick to sell Peck's services to Warner Bros for this movie after running into financial difficulties. [136]
Only the Valiant, also known as Fort Invincible, is a 1951 American Western film produced by William Cagney (younger brother of James Cagney), directed by Gordon Douglas and starring Gregory Peck, Barbara Payton, and Ward Bond.
The Bravados is a 1958 American Cinemascope Western film (color by DeLuxe) directed by Henry King, starring Gregory Peck and Joan Collins. The CinemaScope film was based on a novel of the same name, written by Frank O'Rourke. [2]
The Big Country is a 1958 American epic Western film directed by William Wyler, starring Gregory Peck, Jean Simmons, Carroll Baker, Charlton Heston, and Charles Bickford.The supporting cast features Burl Ives and Chuck Connors.
The Stalking Moon is a 1968 American Western film in Technicolor directed by Robert Mulligan and starring Gregory Peck and Eva Marie Saint. It is based on the novel of the same name by T.V. Olsen . Plot
Duel in the Sun is a 1946 American epic psychological Western film directed by King Vidor, produced and written by David O. Selznick, and starring Jennifer Jones, Joseph Cotten, Gregory Peck, Lillian Gish, Walter Huston, and Lionel Barrymore.
In 1867, a gang led by James "Stretch" Dawson (Gregory Peck) robs a bank and, chased by soldiers, choose to cross the salt flats of Death Valley.After an arduous journey, collapsing from heat and dehydration, the outlaws come upon a ghost town called Yellow Sky and its only residents, a tough young woman called Mike (Anne Baxter) and her gold prospector grandfather (James Barton).
Mackenna's Gold is a 1969 American Western film directed by J. Lee Thompson, starring an ensemble cast featuring Gregory Peck, Omar Sharif, Telly Savalas, Ted Cassidy, Camilla Sparv and Julie Newmar in lead roles. It was photographed in Super Panavision 70 and Technicolor by Joseph MacDonald, with original music by Quincy Jones.