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Within the Ottoman Empire cuerda seca tilework fell out of fashion in the 1550s and new imperial buildings were decorated with underglaze-painted tiles from İznik. The last building in Istanbul to include cuerda seca tilework was the Kara Ahmed Pasha Mosque which was designed in 1555 but only completed in 1572. [12] [13]
The small palm tree pitcher, meanwhile, is quite unique since it is decorated with yellow and green glazes enclosed in black lines that prevent it from melting, which foreshadows the cuerda seca technique. Pieces with molded underglaze decoration, in particular shuttles, a form which reflects the Sassanid example, have also been found.
This was similar to the older cuerda seca technique but more efficient for mass production. [7] [12] [14] The motifs on these tiles imitated earlier Islamic and Mudéjar designs from the zellij mosaic tradition or blended them with contemporary European influences such as Gothic or Italian Renaissance.
In this technique, motifs were formed by pressing a metal or wooden mould over the unbaked tile, leaving a motif delineated by thin ridges of clay that prevented the different colours in between from bleeding into each other during baking. This was similar to the older cuerda seca technique but more efficient for mass production.
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One of the most useful is the creation and editing made possible in software programs, such as Adobe Photoshop.With such graphics programs one can develop black and white outlines that constitute the art work of the cuerda seca style of tile. In the cuerda seca, or 'dry line' technique as it is also known, an outline of a pattern is created on ...
Some of the tiles are cuerda seca tiles of a much earlier period, reused from elsewhere, but most are blue-and-white tiles that imitate early 16th-century Iznik work. [47] While the craftsmen at Iznik were still capable of producing rich and colourful tiles throughout the 17th century, there was an overall decline in quality.
Between this mosaic tile frieze and the merlons there is currently an empty horizontal band which used to be filled by an Arabic inscription in cuerda seca tiles, with dark (maybe purple) lettering over a white background. [7] [8] The inscription was in a prominent kufic script and featured the first surah of the Qur'an, Al-Fatiha. This frieze ...