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Embouchure (English: / ˈ ɒ m b u ˌ ʃ ʊər / ⓘ) or lipping [1] is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind or brass instrument. The word is of French origin and is related to the root bouche, 'mouth'. Proper embouchure allows ...
Mouth trumpet is a vocal technique that imitates the sound of the trumpet.. The mouth trumpet sound is produced by using the vocal cords to produce the desired pitch and passing the sound through the lips that are held together with just enough tension so that they vibrate at the same frequency as the vocal cords, producing a trumpet-like sound.
Gillette filed the technique on February 4, 1952, and obtained patent #2,739,505 on March 27, 1956. [1] Because animating a mouth in synchronization with sound was difficult, Syncro-Vox was soon used as a cheap animation technique. The 1959 cartoon Clutch Cargo produced by Cambria Studios was the first to make use of the Syncro-Vox technique. [2]
He later changed this definition to mean the pushing and pulling of a player's mouthpiece and lips together, as a single unit, up or down along the teeth while changing registers. [4] According to Reinhardt, the three primary playing factors of brass technique were correct breathing, tonguing, and embouchure. Reinhardt felt that each player's ...
Typical situations involve an artist drawing a series of poses taken by a model in a short amount of time, often as little as 10 seconds, or as long as 5 minutes. Gesture drawing is often performed as a warm-up for a life drawing session, but is a skill that may be cultivated for its own sake.
When a player is deprived of the opportunity to recuperate after a period of extensive playing, the simple matter of swollen lips is not allowed to heal, and the player is forced to work harder to compensate for diminished lip strength. Eventually, the player's facial muscles may collapse under the strain of playing. [3]
Split tones can sound similar to a technique called growling, in which additional noise is produced from the throat while playing. The double buzz is distinctly different in that all noise and vibrations are initiated by the embouchure. Liza Lim makes extensive use of split tones in Ehwaz for trumpet and percussion. [3]
Initially intended as a 3-volume series of increasing difficulty, the middle volume titled Clarke's Technical Studies (1912) would gain a following independent of the other volumes, becoming "one of the most widely used trumpet method books" [1] and drawing comparisons to the Arban Method. [2]