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Symons's early poetry focused on capturing urban life's mysticism and displaying explicit displays of eroticism, such as Days and Nights (1889). His essay on French sculptor Auguste Rodin Studies in Seven Arts (1906) emphasized sensuality and eroticism in Rodin's work.
Symons's book is a collection of short essays on various authors. A list of contents is useful, among other reasons, for determining the time and trace of its influence. Eliot, for instance, would not have read about Baudelaire in his 1908 edition. Essays on English authors were added for Symons's 1924 Collected Works.
It was republished by Edmond Deman in 1899, the year after Mallarmé's death; this edition included an additional section where Mallarmé wrote about the background and circumstances under which most of the poems had been written. [1] The book was translated to English by Arthur Symons, and first published in its entirety in 1986 by Tragara ...
This section contains 18 poems, most of which were written during Haussmann's renovation of Paris. Together, the poems in Tableaux Parisiens act as 24-hour cycle of Paris, starting with the second poem Le Soleil (The Sun) and ending with the second to last poem Le Crépuscule du Matin (Morning Twilight). The poems featured in this cycle of ...
[3] [5] [20] The pursuit of these authors, according to Arthur Symons, was "a desperate endeavor to give sensation, to flash the impression of the moment, to preserve the very heat and motion of life", and their achievement, as he saw it, was "to be a disembodied voice, and yet the voice of a human soul". [21]
Three Songs is a set of songs for high voice and piano composed in 1918–19 by John Ireland (1879–1962). It consists of settings of three poems by Arthur Symons (1865–1945).
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Arthur Symons wrote in 1896 that Sigurd the Volsung "remains his masterpiece of sustained power", and in 1912 the young T. E. Lawrence called it "the best poem I know" [4] [28] According to the philologist E. V. Gordon Sigurd the Volsung is "incomparably the greatest poem – perhaps the only great poem – in English which has been inspired by ...