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Used with digital restoration software, and a special Kinetta 35mm B&W Film Recorder, films are scanned from the paper prints at 2K resolution, digitally restored, and output to 35mm B&W film. The resulting restorations are significantly better than the photochemical versions in many aspects.
The majority of 35 mm film systems, cameras, telecine equipment, optical printers, or projectors, are configured to accommodate the 4-perf system; each frame of 35 mm is 4 perforations long. 4-perf was (and remains) the traditional system, and the majority of projectors are based on 4-perf, because 4 perforations is the amount needed per frame vertically in order to have enough negative space ...
For 35 mm film these are 0.1866" and 0.1870" (4.740 mm and 4.750 mm); for 16 mm film they are 0.2994" and 0.3000" (7.605 mm and 7.620 mm). This distinction arose because early nitrocellulose film base naturally shrank about 0.3% in processing due to heat, so film printing equipment was designed to account for a size difference between its ...
The Pallophotophone utilized the entire width of unsprocketed 35-mm Kodak monochrome film to record and replay multiple audio tracks. Unlike Phonofilm, this optical sound technology used a photoelectric process that captured audio waveforms generated by a vibrating mirror galvanometer , and was the first effective multitrack recording system ...
The scanned footage is edited and composited on work stations then mastered back on film, see film-out and digital intermediate. Scanned film frames may also be used in digital film restoration. The film may also be projected directly on a digital projector in the theater. The data film files may be converted to SDTV (NTSC or PAL) video TV systems.
Edge of a 35mm film print showing the soundtracks. The outermost strip (left of picture) contains the SDDS track as an image of a digital signal; the next contains the perforations used to drive the film through the projector, with the Dolby Digital track (grey areas) with the Dolby Double-D logo, between them. The two tracks of the analog ...
(A) Human-readable Keykode number (the number to the far right advances by one for each 16 frames of 35 mm film or 20 frames of 16 mm film). Next to that is the same information in USS-128 Barcode machine-readable language. (B) Further down the film (within the 16 frames) is the film identifier information and date symbol (C) Other-use symbols.
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