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Map of areas of influence in Ireland c. 1450. From the late 12th century, the Anglo-Norman invasion of Ireland resulted in Anglo-Norman control of much of Ireland, over which the kings of England then claimed sovereignty. [2] [3] By the late Late Middle Ages, Anglo-Norman control was limited to an area around Dublin known as the Pale. [4]
"McCafferty" (Roud 1148) is an Irish folk ballad about British Army Private Patrick McCaffrey, executed in 1862 for the "fragging" of two officers. [1] It is particularly popular in Ireland, where Pte. McCaffrey came from, and was recorded by The Dubliners. In the British Army it was allegedly a court martial offence to sing the song, but that ...
A group of Black and Tans and Auxiliaries outside the London and North Western Hotel in Dublin following an IRA attack, April 1921 "Come Out, Ye Black and Tans" is an Irish rebel song, written by Dominic Behan, which criticises and satirises pro-British Irishmen and the actions of the British army in its colonial wars.
The 1983 U2 album War includes the song "Sunday Bloody Sunday", a lament for the Northern Ireland troubles whose title alludes to the 1972 Bloody Sunday shooting of Catholic demonstrators by British soldiers. In concert, Bono began introducing the song with the disclaimer "this song is not a rebel song". [8]
The Northern Ireland conflict: a beginner's guide (Simon and Schuster, 2012). Hammond, John L. Gladstone and the Irish nation (1938) online. McLoughlin, P. J. "British–Irish relations and the Northern Ireland peace process: the importance of intergovernmentalism." in Dynamics of Political Change in Ireland (Routledge, 2016) pp. 103–118.
"A Nation Once Again" is a song written in the early to mid-1840s by Thomas Osborne Davis (1814–1845). Davis was a founder of Young Ireland, an Irish movement whose aim was for Ireland to gain independence from Britain. Davis believed that songs could have a strong emotional impact on people. He wrote that "a song is worth a thousand harangues".
The song discusses Morrissey's identity as the son of Irish immigrants growing up in Thatcher-era England, and explores the themes of contention between the two nations. It is one of Morrissey's more political songs, with him denouncing Oliver Cromwell, Toryism, the Conservative Party, the Labour Party, and the British royal family. "[The ...
Along with a number of other songs, Behan provided the song to The Dubliners for use in a new set-structure. [citation needed] In its original form, the song was performed in two parts, a spoken monologue (originally spoken by Ronnie Drew of the Dubliners self-accompanied by his flamenco guitar) followed by the sung verses supported by the full ...