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The ideal of Pancasila has not effectively translated into a functioning liberal democracy in Indonesia. Instead, Pancasila has become a symbol of Indonesian exceptionalism, embodying the nation's values and identity. Pancasila is open to abuse, which in this case was the invitation to criminalise all kinds of ideologies but Pancasila itself.
On 26 March 1979, thru Presidential Decree No. 10/1979, the Agency for Development, Education, Implementation of Guidelines for the Appreciation and Practice of Pancasila (Badan Pembinaan Pendidikan Pelaksanaan Pedoman Penghayatan dan Pengamalan Pancasila, BP-7) was founded by Suharto administration to futher develop Pancasila as national ideology.
Sukarno explicitly asserted that Nasakom was the embodiment of Pancasila and the 1945 Constitution (UUD 1945) in political practice. In his Independence Day speech on 17 August 1961, Sukarno proclaimed: [21] "Whoever agrees to Pancasila, must agree to Nasakom; Who does not agree to Nasakom, actually does not agree to the Pancasila!
The motto Bhinneka Tunggal Ika was later incorporated into the state emblem, the Garuda Pancasila. Reporting from the Directorate General of Culture of the Republic of Indonesia, the state symbol was designed by Sultan Hamid II and announced to the public on 15 February 1950.
A Pancasila economy can be considered an example of a mixed economy or a third way economic system. [ 2 ] A Pancasila economy is seen as a counterbalance to a neoclassical approach promoting individualism and free markets [ 3 ] that is adapted the values of Indonesian society, including religious values, culture, customs and norms.
An ideology is a set of beliefs or values attributed to a person or group of persons, especially those held for reasons that are not purely about belief in certain knowledge, [1] [2] in which "practical elements are as prominent as theoretical ones". [3]
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The End of Ideology: On the Exhaustion of Political Ideas in the Fifties is a collection of essays published in 1960 (New York, 2nd ed. 1962) by Daniel Bell, who described himself as a "socialist in economics, a liberal in politics, and a conservative in culture."