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Different discourses have shaped the way that sustainable development is approached, and women have become more integrated into shaping these ideas. The definition of sustainable development is highly debated, but is defined by Harcourt as a way to "establish equity between generations" and to take into account "social, economic, and environmental needs to conserve non-renewable resources" and ...
These parallels include, but are not limited to, seeing women and nature as property, seeing men as the curators of culture and women as the curators of nature, and how men dominate women and humans dominate nature. Ecofeminism emphasizes that both women and nature must be respected. [6]
Bliss, originally titled Bucolic Green Hills, is the default wallpaper of Microsoft's Windows XP operating system. It is a photograph of a green rolling hills and daytime sky with cirrus clouds . Charles O'Rear , a former National Geographic photographer, took the photo in January 1998 near the Napa – Sonoma county line, California, after a ...
Christina's World is a 1948 painting by American painter Andrew Wyeth and one of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman in an incline position on the ground in a treeless, mostly tawny field, looking up at a gray house on the horizon, a barn, and various other small outbuildings are adjacent to the house. [1]
Plumwood and Sean Kenan, 1987. Plumwood was born Val Morell to parents whose home was a shack with walls made of hessian sacks dipped in cement. After obtaining a land grant, her parents had set up home in the Terrey Hills, near the Ku-ring-gai Chase National Park, north of Sydney.
This is a list of women artists who were born in America or whose artworks are closely associated with that country. Included are recognized American women artists, known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art ...
From 1960 to 1965, Bastin worked for different advertising agencies and publishers. Shortly after completing her studies at the Academy of Arts, she was asked to illustrate a one-page feature for the popular Dutch women's weekly Libelle. A Hallmark Cards designer discovered Bastin's artwork while on a trip to the Netherlands in the early 1990s.
The Death of Nature: Women, Ecology and the Scientific Revolution is a 1980 book by historian Carolyn Merchant. It is one of the first books to explore the Scientific Revolution through the lenses of feminism and ecology. [1] It can be seen as an example of feminist utopian literature of the late 1970s. [2]