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He followed in a medieval Christian tradition of alchemists reporting their travels to the East, where they learned ancient and esoteric secrets of alchemy. [8] Paracelsus records that he met Trismosin in Constantinople in 1520 and was instructed in the art of alchemy. Little else is known of their meeting, but Trismosin is best known today for ...
In the first chapter pseudo-Bacon describes alchemy as a science teaching how to make and compound a certain medicine, which is called Elixir, the which when it is cast upon metals or imperfect bodies, does fully perfect them in the very projection. The author then goes on to describe the seven metals and the method for creating the elixir. [5]
As a textbook author, he pioneered an approach to science teaching that included historical material. "His historicized science books were an enormous and long-term commercial success, with Elementary Chemistry (1925) alone selling half-a-million copies by 1960."
The Cantilena Riplaei is one of the first poetic compositions on the subject of alchemy. [citation needed] Most of Ripley's work is based on the work of pseudo-Ramon Lull, although The Compound of Alchemy is based largely on the work of a little-known alchemist of the fifteenth century, named Guido de Montanor. [4]
German-Dutch alchemist and chemist Johann Rudolf Glauber (1604–1670) believed that the alkahest was a class of substances, rather than one, particular substance. [9] Glauber believed he had discovered alkahest after discovering that volatile niter ( nitric acid ) and fixed niter ( potassium carbonate ) were able to dissolve several substances.
The peacock in a crowned flask associated with Venus. Splendor Solis (English: "The Splendour of the Sun") is a version of the illuminated alchemical text attributed to Salomon Trismosin.
The Liber de compositione alchemiae ("Book on the Composition of Alchemy"), also known as the Testamentum Morieni ("Testament of Morienus"), the Morienus, or by its Arabic title Masāʾil Khālid li-Maryānus al-rāhib ("Khalid's Questions to the Monk Maryanos"), is a work on alchemy falsely attributed to the Umayyad prince Khalid ibn Yazid (c. 668 – c. 704). [1]
This text originally comes from a lecture delivered by Jung at the Eranos Conference at Ascona, Switzerland in 1937. It was revised and expanded in 1954. [5] Much of this chapter is devoted to a translation of Zosimos of Panopolis's The Treatise of Zosimos the Divine concerning the Art, an important alchemical text from the 3rd century CE.