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Font rasterization is the process of converting text from a vector description (as found in scalable fonts such as TrueType fonts) to a raster or bitmap description. This often involves some anti-aliasing on screen text to make it smoother and easier to read.
Fonts which support a wide range of Unicode scripts and Unicode symbols are sometimes referred to as "pan-Unicode fonts", although as the maximum number of glyphs that can be defined in a TrueType font is restricted to 65,535, it is not possible for a single font to provide individual glyphs for all defined Unicode characters (154,998 ...
In 1988, the X Consortium adopted BDF 2.1 as a standard for X Window screen fonts, [2] but X Windows has largely moved to other font standards such as PCF, Opentype, and Truetype. Version 2.2 added support for non-Western writing. For example, glyphs in a BDF 2.2 font definition can specify rendering from top-to-bottom rather than simply left ...
Box-drawing characters, also known as line-drawing characters, are a form of semigraphics widely used in text user interfaces to draw various geometric frames and boxes. These characters are characterized by being designed to be connected horizontally and/or vertically with adjacent characters, which requires proper alignment.
PICT, PCT – Apple Macintosh PICT image; PNG – Portable Network Graphic (lossless, recommended for display and edition of graphic images) PNJ – a sub-format of the MNG file format, used for encapsulating JPEG files [15] PNM – Portable anymap graphic bitmap image; PNS – PNG Stereo; PPM – Portable Pixmap (Pixel Map) image
With the coming of computers, type design became a form of computer graphics. Initially, this transition occurred with a program called Ikarus around 1980, but widespread transition began with programs such as Aldus Freehand and Adobe Illustrator, and finally to dedicated type design programs called font editors, such as Fontographer and FontLab.
Modern sans-serif designs inspired by Gill often adapt the concept by creating a design better proportioned and spaced for body text, a wider and more homogeneous range of weights, something easier since the arrival of the computer due to the use of multiple master or interpolated font design, or more irregular and hand-drawn in style.
The Adobe Glyph List (AGL) is a mapping of 4,281 glyph names to one or more Unicode characters.Its purpose is to provide an implementation guideline for consumers of fonts (mainly software applications); it lists a variety of standard names that are given to glyphs that correspond to certain Unicode character sequences.