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Resist dyeing has been very widely used in Asia, Africa, and Europe since ancient times. The earliest extant pieces of resist-dyed fabric were found in Egypt, dating to the 4th century AD. [citation needed] Cloths used for mummy wrappings were sometimes coated with wax, scratched with a sharp stylus, and dyed with a mixture of blood and ashes.
The wax will "resist" the dye, and after it is removed there will be a pattern in two colours. Batik, shibori and tie-dye are among many styles of resist dyeing. [3] [4] Wax or grease can also be used as a resist in pottery, to keep some areas free from a ceramic glaze; the wax burns away when the piece is fired. [5]
Rōketsuzome (Japanese: 蝋纈染め) sometimes shortened to rōzome (ろう染め), is a traditional wax-resist textile dyeing technique in Japan, akin to Indonesian batik. References [ edit ]
G-1000 is still a key material in many of their outdoor products in 2023, although the modern fabric incorporates more environmental design factors. It is a cotton-polyester blend impregnated with their own odourless beeswax-paraffin recipe sold as "Greenland Wax". The wax washes out of the fabric after around 2-3 wash cycles.
Indians use resist-dyeing with cotton fabrics. Initially, wax and even rice starch were used for printing on fabrics. Until recently batik was made only for dresses and tailored garments, but modern batik is applied in numerous items, such as murals, wall hangings, paintings, household linen, and scarves, with livelier and brighter patterns.
This page was last edited on 14 January 2007, at 11:57 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
In properly printed fabrics the colour is bonded with the fibre, so as to resist washing and friction. Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour, whereas in printing one or more colours are applied to it in certain parts only, and in sharply defined patterns.
In pottery these are used to produce plastic clay body from a slip. Invariably the output from a press, called filter cakes, are then fed into pugs for de-airing and extrusion. Fine Fireclay A semi-vitreous ceramic used for very large pieces of sanitaryware. Despite the name most formulations do not use fireclay, but all use some chamotte.