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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
The Proletarian poetry is a genre of political poetry developed in the United States during the 1920s and 1930s that endeavored to portray class-conscious perspectives of the working-class. [64] Connected through their mutual political message that may be either explicitly Marxist or at least socialist , the poems are often aesthetically disparate.
A literary movement called the language poets formed as a reaction against confessional poetry and took as their starting point the early modernist poetry composed by Gertrude Stein, William Carlos Williams, and Louis Zukofsky. Despite this, Language poetry has been called an example of postmodernism in American poetry.
Genres are formed shared literary conventions that change over time as new genres emerge while others fade. As such, genres are not wholly fixed categories of writing; rather, their content evolves according to social and cultural contexts and contemporary questions of morals and norms.
A poetic genre is generally a tradition or classification of poetry based on the subject matter, style, or other broader literary characteristics. [153] Some commentators view genres as natural forms of literature. Others view the study of genres as the study of how different works relate and refer to other works. [154]
Any literary movement will have its diversity, but there are certain shared characteristics that help to define a literary movement. In the case of regionalism, these characteristics include the following: [5] A focus on the setting of the story, often to such a degree that it appears little else happens beyond description of the setting and ...
Examples are the satiric mode, the ironic, the comic, the pastoral, and the didactic. [2] Frederick Crews uses the term to mean a type of essay and categorizes essays as falling into four types, corresponding to four basic functions of prose: narration, or telling; description, or picturing; exposition, or explaining; and argument, or ...
In Emma, for example, the first time the town sees Mr. Elton's wife is at church. (Chris Hammond, 1898) Austen's style was heavily influenced by the language of the King James Version of the Bible and, especially, by the Book of Common Prayer, both of which Austen heard spoken every week all of her life as a part of Anglican services. [83]