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Relating to music produced by instruments, as opposed to electric or electronic means ad libitum (commonly ad lib; Latin) At liberty (i.e. the speed and manner of execution are left to the performer. It can also mean improvisation.) adagietto Fairly slowly (but faster than adagio) adagio Slowly adagissimo Very, very slowly affannato, affannoso ...
ad infinitum: to infinity: i.e., enduring forever. Used to designate a property which repeats in all cases in mathematical proof. Also used in philosophical contexts to mean "repeating in all cases". ad interim (ad int.) for the meantime: As in the term "chargé d'affaires ad interim", denoting a diplomatic officer who acts in place of an ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
It may also be used in a manner similar to the Latin phrase et cetera to denote written words or a concept that continues for a lengthy period beyond what is shown. Examples include: "The sequence 1, 2, 3, ... continues ad infinitum." "The perimeter of a fractal may be iteratively drawn ad infinitum."
Tag (barbershop music) Tarantella Napoletana; Tasto solo; Tempo; Tenor; Terp (music industry jargon) Territory band; Terzschritt; Tetrad (music) Text declamation; Thirty-two-bar form; Titling; Tone (musical instrument) Tonus peregrinus; Treble voice; Triad (music) Trumpet voluntary; Tutti
Exempli gratiā is usually abbreviated "e. g." or "e.g." (less commonly, ex. gr.).The abbreviation "e.g." is often interpreted (Anglicised) as 'example given'. The plural exemplōrum gratiā to refer to multiple examples (separated by commas) is now not in frequent use; when used, it may be seen abbreviated as "ee.g." or even "ee.gg.", corresponding to the practice of doubling plurals in Latin ...
A florid solo at the end of a performance Cantata: sung: A piece for orchestra and singers Capriccio: caprice: A lively piece, free in form, often used to show musical skill Cavatina: small instrumental tone: A simple melody or song Coda: tail: The end of a piece Concerto: concert: A work for one or more solo instruments accompanied by an ...
Derived from reductio ad absurdum. reductio ad infinitum: leading back to the infinite: An argument that creates an infinite series of causes that does not seem to have a beginning. As a fallacy, it rests upon Aristotle's notion that all things must have a cause, but that all series of causes must have a sufficient cause, that is, an unmoved mover.