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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
Large quantities of lead white in frescoes can be highly toxic, and as it oxidizes to lead dioxide it turns brownish. [10] Leonardo used red chalk and black paint on top of the lead white to sketch out his image, before adding countless layers of mixed pigments. [10] Leonardo used a series of translucent glazes to finish the frescoes. [11]
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his apostles in Jerusalem before his crucifixion. [2] The Last Supper is commemorated by Christians especially on Holy Thursday. [3] The Last Supper provides the scriptural basis for the Eucharist, also known as "Holy Communion" or "The Lord's Supper". [4]
Download QR code; Print/export ... Tintoretto, the Last Supper fresco Caravaggio, Boy Peeling Fruit. Events from the year 1592 in art. Events
One of England's oldest cathedrals is showing its support for Black Lives Matter by displaying a painting of the Last Supper in which Jesus is depicted as a Black man. St. Albans Cathedral has ...
Download QR code; Print/export Download as PDF; Printable version; ... Help. Pages in category "Paintings of the Last Supper" The following 31 pages are in this ...
Albrecht Dürer's woodcut The Last Supper (1523) exemplifies the frontal composition that is customary for this subject. Tintoretto depicted the Last Supper several times during his artistic career. His earlier paintings for the Chiesa di San Marcuola (1547) and for the Chiesa di San Felice (1559) depict the scene from a frontal perspective ...