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The story of Jephthah and his daughter is the subject of Lion Feuchtwanger's historical novel, Jefta und seine Tochter (1957), English translation, Jephta and His Daughter, also known as Jephthah and His Daughter, published 1958; In Hamlet, Polonius tells Hamlet "If you call me Jephthah, my lord, I have a daughter I love passing well."
Jephthah's daughter, sometimes later referred to as Seila or as Iphis, is a figure in the Hebrew Bible, whose story is recounted in Judges 11. The judge Jephthah had just won a battle over the Ammonites , and vowed he would give the first thing that came out of his house as a burnt offering to God .
Jephthes, sive Votum [a] (translated into English as Jephtha, or the Vow) is a tragedy by Scottish historian and humanist scholar George Buchanan first published in 1554. Based on the biblical account of Jephthah and the sacrifice of his daughter in the Book of Judges, Buchanan wrote the play while he was a teacher in France.
George Frideric Handel. Jephtha (HWV 70) is an oratorio (1751) by George Frideric Handel with an English language libretto by the Rev. Thomas Morell, based on the story of Jephtha in Judges (Chapter 11) and Jephthes, sive Votum (Jeptha, or the Vow) (1554) by George Buchanan.
The accents of the tribes were distinctive enough even at the time of the confederacy so that when the Israelites of Gilead, under the leadership of Jephthah, fought the Tribe of Ephraim, their pronunciation of shibboleth as sibboleth was considered sufficient evidence to single out individuals from Ephraim, so that they could be subjected to ...
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Jephtas Gelübde (The vow of Jephthah) was the first opera composed by Giacomo Meyerbeer. The libretto , which is elaborated from the biblical story of Jephthah, was by Aloys Schreiber [ de ] . The first performance was at the Hoftheater ( Cuvilliés Theatre ) in Munich on 23 December 1812.
The Sacrifice of Isaac is the title of two paintings from c. 1598 - 1603 depicting the sacrifice of Isaac.The paintings could be painted by the Italian master Caravaggio (1571–1610) but there is also strong evidence that they may have been the work of Bartolomeo Cavarozzi, a talented early member of the Caravaggio following who is known to have been in Spain about 1617–1619.