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In John's revelation the first horseman rides a white horse, carries a bow, and is given a crown as a figure of conquest, [2] [3] perhaps invoking pestilence, or the Antichrist. The second carries a sword and rides a red horse as the creator of (civil) war , conflict, and strife. [ 4 ]
Revelation 6 is the sixth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle, [1] [2] but the precise identity of the author remains a point of academic debate. [3] This chapter describes the opening of the first six of the seven seals ...
There are numerous biblical references in the lyrics. [5] A spoken portion from Revelation 6:1–2 in the King James Version [6] introduces the song. [7] The passage describes the coming of the Four Horsemen of the Apocalypse, each heralded by one of the "four beasts" first mentioned in Revelation 4:6–9.
The first 4 Seals result in the Four Horsemen. Four Horsemen of the Apocalypse, an 1887 painting by Victor Vasnetsov. The Lamb is visible at the top. Preterist view. Johann Jakob Wettstein (18th century) identified the first Horseman as Artabanus, king of the Parthians who slaughtered the Jews in Babylon. [13]
The blood moon prophecies were a series of prophecies by Christian preachers John Hagee and Mark Biltz, related to a series of four full moons in 2014 and 2015.The prophecies stated that a tetrad (a series of four consecutive lunar eclipses—all total and coinciding on Jewish holidays—with six full moons in between, and no intervening partial lunar eclipses) which began with the April 2014 ...
Gustave Doré Death on the Pale Horse (1865) – The fourth Horseman of the Apocalypse. Death is one of the Four Horsemen of the Apocalypse portrayed in the Book of Revelation, in Revelation 6:7–8. [36] And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him.
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
The Signs of the Times (1832), a commentary on The Apocalypse by Rev. Dr. Alexander Keith. [86] Horae Apocalypticae (1837), a commentary on The Apocalypse by Rev. Edward Bishop Elliott. [87] Vindiciae Horariae (1848), twelve letters to the Rev. Dr. Keith, in reply to his strictures on the "Horae apocalypticae" by Rev. Edward Bishop Elliott. [88]