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It was founded decades after other major Spanish settlements in the region, such as Quito (1534), Guayaquil (1538), and Loja (1548). Cuenca's population and importance grew steadily during the colonial era. Cuenca reached the peak of its importance in the first years of Ecuador's independence; Cuenca achieved its independence on November 3, 1820.
The Sagrario Church (Shrine Church) - also known as the Old Cathedral of Cuenca is a temple whose construction began in the mid-16th century, and was considered the main Spanish place of worship during the time of Spanish colonization in Cuenca . Today it functions as the Museum of Religious Art, known for its wide variety of altars and the ...
Street Santa Ana. This church is an antecedent for the later construction of the Cathedral of the Immaculate Conception of Cuenca. The Colonel Gil Ramírez Dávalos founded the city of Santa Ana de los Ríos de Cuenca on April 12, 1557, under the orders of Viceroy Andrés Hurtado de Mendoza.
Ecuador was an original member of the block, founded by left-wing governments in Latin America and the Caribbean in 2008. Ecuador also asked UNASUR to return the headquarters building of the organization, based in its capital city, Quito. [64] In June 2019, Ecuador agreed to allow US military planes to operate from an airport on the Galapagos ...
Cuenca Cathedral is distinguished from many other cathedrals by sculptures representing animals unknown to the West, such as the armadillo, puffer fish or turtle, in its Gothic arches dating from the late 15th century, a period in the history of its construction that coincided with the European colonization of the Americas after 1492. [9]
The tribe primarily occupied the Tumebamba area (present day Cuenca). Due in part to Incan influence and mandate, Cañari construction reportedly rivaled that of the Incan capital, Cuzco . Of particular repute was the impressive architecture of Tumebamba, which has often been referred to as the "second Cuzco."
The museum has ethnographic collections that include traditional costumes, objects representative of the beliefs and rites of the peoples of Ecuador. The museum has a room about baroque art dating from the 18th century. [3] The museum has reconstructions of Afro-Ecuadorian houses from the province of Esmeraldas.
In the words of a scholar, "These stones embodied the transfer of sanctity and power from the imperial capital to the city of Tomebamba in Ecuador, while their movement was a major public demonstration of state control over labor." The Inca also quarried building stones at Cojitambo, 18 kilometres (11 mi) in a straight line distance northeast. [6]