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Motivated forgetting is a theorized psychological behavior in which people may forget unwanted memories, either consciously or unconsciously. [1] It is an example of a defence mechanism, since these are unconscious or conscious coping techniques used to reduce anxiety arising from unacceptable or potentially harmful impulses thus it can be a defence mechanism in some ways. [2]
Tomb of Sand (originally titled Ret Samadhi, Hindi: रेत समाधि) [2] is a 2018 Hindi-language novel by Indian author Geetanjali Shree. It was translated into English by U.S. translator Daisy Rockwell. [3] In 2022, the book became the first novel translated from an Indian language to win the International Booker Prize. [4] [5] [6] [7]
Forgetting can mean access problems, availability problems, or can have other reasons such as amnesia caused by an accident. An inability to forget can cause distress, as with post-traumatic stress disorder and hyperthymesia (in which people have an extremely detailed autobiographical memory).
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The book has been translated into Hindi and was published by Prabhat Prakash Advaniji, who has released two novels: Five Point Someone and One Night at the Call Centre.The former set a record by being purchased by 30,000 people in one month and has gone on to become a top seller in Hindi.
The Elephant in the Brain: Hidden Motives in Everyday Life is a 2018 nonfiction book by Kevin Simler and Robin Hanson. Simler is a writer and software engineer, while Hanson is an associate professor of economics at George Mason University. The book explores self-deception and hidden motives in human behaviour.
Be Here Now, or Remember, Be Here Now, is a 1971 book on spirituality, yoga, and meditation by the American yogi and spiritual teacher Ram Dass (born Richard Alpert). [1] [2] [3] The core book was first printed in 1970 as From Bindu to Ojas and its title since 1971 comes from a statement his guide, Bhagavan Das, made during Ram Dass's journeys in India.
Cutting less important ones can make the plot summary tighter and easier to understand. Identify the significant story beats; often, briefly stating that the plot progresses from situation A to B rather than delineating how it gets there, i.e. skipping to the results of a sequence or even entire subplot, is a practical rule of thumb for staying ...