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The Choral Public Domain Library (CPDL), also known as the ChoralWiki, is an online database for choral and vocal music. Its contents primarily include sheet music in the public domain or otherwise freely available for printing and performing (such as via permission from the copyright holder).
Full free access Choral Public Domain Library: Sheet music archive of choral and vocal music in the public domain or otherwise freely available for printing and performing 36,869 [41] Yes International Music Score Library Project: Music scores and parts, mostly scanned from publications now in the public domain; some recordings. 42,000 (370,000 ...
Shape notes are a system of music notation designed to facilitate choral singing. Shape notes of various kinds have been used for over two centuries in a variety of sacred choral music traditions practiced primarily in the Southern region of the United States. "Shape-note singers used tune books rather than hymnals. Hymnals were pocket-size ...
International Music Score Library Project (IMSLP) 799,000 Public domain music scores (720,000) and recordings (79,000), including some contemporary composers. International Music Score Library Project: Inventions of Note: popular music, technology: 50 Sheet music for popular songs and piano compositions, mostly 1890–1920. Lewis Music Library ...
Free scores of Go Down Moses in the Choral Public Domain Library (ChoralWiki) {{ChoralWiki|Cancioneiro de Belém|prep=from the}} results in: Free scores from the Cancioneiro de Belém in the Choral Public Domain Library (ChoralWiki) The above is equivalent to (with a different wording):
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.
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