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Shape notes are a system of music notation designed to facilitate choral singing. Shape notes of various kinds have been used for over two centuries in a variety of sacred choral music traditions practiced primarily in the Southern region of the United States. "Shape-note singers used tune books rather than hymnals. Hymnals were pocket-size ...
Choral Public Domain Library: Sheet music archive of choral and vocal music in the public domain or otherwise freely available for printing and performing 36,869 [41] Yes International Music Score Library Project: Music scores and parts, mostly scanned from publications now in the public domain; some recordings. 42,000 (370,000 scores)
The Choral Public Domain Library (CPDL), also known as the ChoralWiki, is an online database for choral and vocal music. Its contents primarily include sheet music in the public domain or otherwise freely available for printing and performing (such as via permission from the copyright holder).
Includes popular songs, operatic arias, piano music, sacred and secular choral music, solo instrumental music, method books and instructional materials, and music for band and orchestra. The Library of Congress: The Library of Congress: The Moldenhauer Archives: Western music: 130
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Choral, sacred 8/1 J 5a Missa quattuor vocum ad aequales mch org 1846–47 Choral, sacred 1st version of S.8/2 8/2 J 5b Missa quattuor vocum ad aequales (Szekszárd Mass) mch org 1869 Choral, sacred 2nd version of S.8/1; themes used in S.264 9 I 2 Missa Solennis (Graner Mass) sop alt ten bass ch orch 1857–58 Choral, sacred
If any soloists or a choir are called for, their parts are usually printed between the percussion/keyboards and the strings in the score. The basic order of the instruments, as seen above, is common to all of the shorthand systems.
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.