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[7] Thomas Erlewine of AllMusic wrote "the Whiplash soundtrack winds up playing more like a film than a jazz album: it has its own singular momentum and drama that wind up overshadowing whatever long-shaded pieces that reside on the record." [8] Den Of Geek wrote "Whiplash‘s soundtrack is a precisely tuned machine. The album groups things ...
Scott Yanow of AllMusic called it an "underrated set ...well worth searching for". [3] On Jazz History Online, Michael Verity observed "By 1973, when he recorded Soaring, a 10-cut musical haiku, all of his interests were converging into a style that was bold, intensely rhythmic and perfectly calibrated sound for the big screen.
Power and Pain is the debut album by American thrash metal band Whiplash.It was released in 1986 via Roadrunner Records and was followed up by 1987's Ticket to Mayhem.. In 1998, Displeased Records rereleased Power and Pain, which included their second album, Ticket to Mayhem.
Characterized by Emma Wilkes of Kerrang! as a "majestic miniature epic", [34] "You Should Have Gone Back" begins as a progressive metal song before "explod[ing] into post-hardcore nirvana". [35] "Hold, Be Held", featuring guest vocalist and friend of the band Yansé Cooper, [7] is about healing, honesty, and embracing trauma and fragility. [32]
"Sweet Sixteen" is a song by British singer-songwriter Billy Idol, released in 1987 as the third single from his third studio album Whiplash Smile (1986). The song written by Idol and produced by Keith Forsey. "Sweet Sixteen" peaked at No. 20 in the US and No. 17 in the UK. It was also a hit across Europe and beyond. [3] [4]
Insult to Injury is the third full-length studio album by American thrash metal band Whiplash.It follows 1987's Ticket to Mayhem.It was seven years before a largely changed line-up recorded a new album, Cult of One.
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"Hurt" is a song by American industrial rock band Nine Inch Nails from its 1994 studio album The Downward Spiral—where it is the closing song on the album—written by Trent Reznor. It was subsequently released on April 17, 1995, as a promotional single from the album, wherein it was issued straight to radio. [ 3 ]