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An artist's impression, artist's conception, artist's interpretation, or artist's rendition is the representation of an object or a scene created by an artist when no other accurate representation is available. It could be an image, a sound, a video or a model.
Holm is the author of twelve books of poems and essays: [9] Boxelder Bug Variations: A Meditation on an Idea in Language and Music, 1985 ISBN 0-915943-43-3; The Music of Failure, 1986; Coming Home Crazy: An Alphabet of China Essays, 1990 ISBN 978-0-915943-42-5; The Dead Get By with Everything, 1991 ISBN 0-915943-55-7
Thomas Carew also wrote two country house poems in the mould of To Penshurst: To Saxham and To My Friend G. N., from Wrest. Even closer to the Jonsonian model is a poem by the oldest of the so-called " Sons of Ben ", Robert Herrick , A Panegyric to Sir Lewis Pemberton .
Egan was born in Athlone in the Irish midlands. His parents were Thomas Egan, businessman and National School teacher Kathleen Garland. He attended St Finian's College in Mullingar, then University at St Patrick's College, Maynooth (now Maynooth University), where he obtained his BA (1962), and University College Dublin, where he obtained his MA (1965).
The unofficial magazine Jintian offered a platform for these feelings and poems. [6] [7] The first issue was published with the seminal poem "The Answer" (Chinese: 回答 Huida), which can be regarded as a paradigm for the obscure nature of misty poetry. The line "I do not believe" (Chinese: 我不相信 wǒ bù Xiangxin) here almost became a ...
Ut Pictura Poesis, by Charles François Hutin. Ut pictura poesis is a Latin phrase literally meaning "as is painting so is poetry".The statement (often repeated) occurs most famously in Horace's Ars Poetica, near the end, immediately after another famous quotation, "bonus dormitat Homerus", or "even Homer nods" (an indication that even the most skilled poet can compose inferior verse):
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Kuncan, Landscape after Night Rain Shower, (China, Qing Dynasty), 1660, Palace Museum, Beijing. The three perfections (Chinese: 三絕; pinyin: sānjué) is a term referring to Chinese poetry, painting, and calligraphy understood and practiced as related endeavors.