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C-stand – Originally known as a century-stand, it is designed to take up very little space and is generally made up of four parts, including the base, a vertical leg with multiple stands, a gobo head and a gobo arm. One of the most common pieces of equipment on a film set, it can hold a variety of reflectors, lights, show cards or boom ...
The camera is mounted to the dolly and the camera operator and focus puller or camera assistant usually ride on the dolly to push the dolly back and forth. The camera dolly is generally used to produce images which involve moving the camera toward or away from a subject while a take is being recorded, a technique known as a "dolly shot".
A camera (with teleprompter unit) mounted on a pedestal. A camera pedestal is an item upon which television cameras are mounted, typically seen in television studios.Unlike tripods, pedestals give camera operators the ability to move the camera in any direction (left, right, forward, back, up, down).
In cinematography, a jib is any boom device used to mount a camera on one end, and a counterweight with camera controls on the other. [1] In principle, it operates like a see-saw, with the balance point located closer to the counterweight, which allows the end of the arm with the camera to move through an extended arc. Typically a jib permits ...
A key component was a single camera-recorder unit, eliminating a cable between the camera and recorder and increasing the camera operator's freedom. The Betacam used the same cassette format (0.5 inches or 1.3 centimetres tape) as the Betamax, but with a different, incompatible recording format. It became standard equipment for broadcast news. [4]
Left-to-right: Ball head, one-way tilt head and three-way tilt head. A tripod head is the part of a tripod system that attaches the supported device (such as a camera) to the tripod legs, and allows the orientation of the device to be manipulated or locked down. Modular or stand-alone tripod heads can be used on a wide range of tripods ...
Using a C-stand safely is a matter of proper technique, and on the job training. When setting and tightening a grip arm, flag or other equipment in the grip head, it is crucial that the gear be set to one side of the grip head such that the weight causes the locking knob to tighten clockwise, or "righty tighty".
Loading film into a film camera is a manual process. The film, typically housed in a cartridge, is loaded into a designated slot in the camera. One end of the film strip, the film leader, is manually threaded onto a take-up spool. Once the back of the camera is closed, the film advance lever or knob is used to ensure the film is correctly placed.