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Marah Roesli was born in Padang, West Sumatra on 7 August 1889, and died in Bandung, West Java on 17 January 1968. He was one of the most well-known Indonesian authors from the Balai Pustaka period. He is famous for his novel Sitti Nurbaya , which tells the story of a teenage girl who was forced to marry a man much older than herself to ...
According to Bakri Siregar, the diction in Sitti Nurbaya does not reflect Marah Rusli's personal style, but a "Balai Pustaka style" of formal Malay, as required by the state-owned publisher. As a result, Rusli's orally-influenced story telling technique, often wandering from the plot to describe something "at the whim of the author", [ a ...
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Angkatan Pujangga Baru was created as a reaction to all this. This "Generation of the New Literates (or New Poets)" adopted its very name, Poedjangga Baroe , to emphasise its striving for renewal, attempting to break away both from the set forms of traditional Malay literature and from the yoke of colonial constraints: the objective was a new ...
The Indonesian literary critic Zuber Usman contrasts Kalau Tak Untung with the earlier novel Sitti Nurbaya (1923) by Marah Rusli.He notes that both begin in a similar fashion and have the same general pattern, but, unlike Sitti Nurbaya with its background in Minang nobility, Pengaruh Keadaan portrays simple villagers without noble blood. [4]
Harry Roesli is the grandson of Marah Roesli, a famous Indonesian writer from Minangkabau background. Harry Roesli wed to Kania Perdani Handiman, the couple have twin sons, Layala Khrisna Patria and Lahami Khrisna Parana. In 1970, he enrolled in the aviation engineering program at the Bandung Institute of Technology. [2]
Soeman was interested in these stories' use of suspense, which set them apart from the works of traditionally influenced Malay authors such as Marah Rusli. [37] According to the cultural critic Sutan Takdir Alisjahbana , Soeman, in his construction of suspense, mimicked that of Western detective stories, rather than adapt the style for an ...
Pertemuan Jodoh is considered the opposite of Muis' earlier work, Salah Asuhan; Pertemuan Jodoh deals with feudalism, while Salah Asuhan dealt with the incompatibilities in Western and Eastern cultures. [3]