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The poem was dedicated to king Prahattan from north India, and to teach him principles of Tamil poetry. [10] It has significant details about clothing, jewelry, mountain farmers guarding their crops from elephants and other wildlife, weapons chieftains carried, musical instruments, warrior god Murugan, priests making their evening devotions ...
[7] The poem weaves two themes, one of a beautiful palace with a queen inconsolably weeping and missing her husband, another of a chaotic war camp with the Pandya king Netunceliyan busy and attending his injured soldiers. [4] [8] The former is the akam-genre poetry, the latter the puram-genre. [8]
Along with the Tirukkural, it is one of the first books published in Tamil, when it came to print from palm leaf manuscripts for the first time in 1812. [8] There is an old Tamil proverb praising the Nālaṭiyār that says " Nālaṭiyār and the Tirukkural are very good in expressing human thoughts just as the twigs of the banyan and the neem ...
Tamil tradition mentions academies of poets that composed classical literature over thousands of years before the common era, a belief that scholars consider a myth. Some scholars date the Sangam literature between c. 300 BCE and 300 CE, [ 6 ] while others variously place this early classical Tamil literature period a bit later and more ...
This type of information is rarely found in other classical Tamil literature. An epilogue ( patikams )is at the end of each ten. The theme, rhythm, metre, name and epilogues were added by the authors of the patikams at a later date, before the commentaries were written; the patikams , as well as the verses, have been annotated.
The poems of this collection differ from the earlier works of the Eighteen Greater Texts (Patiṉeṇmēlkaṇakku), which are the oldest surviving Tamil poetry, in that the poems are written in the venpa meter and are relatively short in length. Naladiyar, having sung by 400 poets, is the only anthology in this collection.
The twelfth book, Kiratham, (Tamil: கிராதம்), describes Arjuna's travels to gain weapons from Shiva and the Gods of the Directions. The novel vividly describes Arjuna's adventures over the four Devas ( Yama , Kubera , Varuna & Indra ) and the final gaining of Pashupatastra from Shiva, and also portrays the darker side and an inner ...
The two armies joined battle, and there was a severe combat under fifteen Indian (or six English) hours. The people of both armies were fainting for thirst, when in the midst of the Pandyan's troops a water-booth became visible, and Shiva within, in the shape of a Brahmin, caused Ganga in his crown of hair to pour forth her streams.