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In May 1965, Pye Records released a different version of "Catch the Wind" on Donovan's debut LP record album What's Bin Did and What's Bin Hid (NPL.18117) [11] (retitled Catch the Wind in the US). While the single version featured vocal echo and a string section, the album version lacked those elements and instead featured Donovan playing ...
It was released in the UK four days after his nineteenth birthday on 14 May 1965, through Pye Records (catalog number NPL 18117). Terry Kennedy, Peter Eden, and Geoff Stephens produced the album. The album was released in the US as Catch the Wind on Hickory Records in June 1965. Hickory Records changed the title to match that of Donovan's debut ...
In 1971, Hallmark Records gained the rights to Donovan's 1965 Pye Records recordings. Hallmark titled the first compilation Catch the Wind and released it in 1971. Even with a compilation already on the market, Pye subsidiary Golden Hour Records released a compilation of the same recordings as Golden Hour of Donovan in the United Kingdom within the same year.
Catch the Wind (US) Released May 1965 (June 1965 in US) Label: Pye (Hickory in US) ... The Best of Donovan double album, (CBS 2CSP 002, 1982, Australia) Minstrel Boy ...
Catch the Wind is a 1965 Donovan song. Catch the Wind may also refer to: What's Bin Did and What's Bin Hid, the 1965 album by Donovan re-titled Catch the Wind in the USA; Catch the Wind, a Donovan compilation album; Catch the Wind, a Donovan compilation album; Catch the Wind, a Donovan compilation album; Catch the Wind, a Donovan compilation album
As ‘Complete Unknown’ Rekindles Interest in 1965 Folk-Rock Scene, Watch ’60s Icon Donovan Reveal ‘Secret History’ in Video Essay Steven Gaydos January 7, 2025 at 6:40 PM
Donovan first achieved recognition with live performances on the pop TV series Ready Steady Go! in 1965. Having signed with Pye Records that year, he recorded singles and two albums in the folk vein for Hickory Records, scoring three UK hit singles: "Catch the Wind", "Colours" and "Universal Soldier", the last written by Buffy Sainte-Marie.
Just as Jean Girard so memorably noted in “Talladega Nights,” “God needs the Devil. The Beatles needed the Rolling Stones, even Diane Sawyer needed Katie Couric,” one could add that “Bob ...